While most people realize that pledging [on Kickstarter] is just a pre-order in the dark, some backers feel like they are investors or game designers, working alongside the development team. If this is true and the final product doesn’t live up to the standards they’ve set up in their minds they’ll feel quite unsatisfied or worse. To avoid this type of complications, we have decided to take a different route with this campaign. We don’t want to deal with the trivial and somewhat elitist stuff like backers only forums, backers having their name in the credits, re-designing stuff in our project or going to dinner with some of the staff. […] We respect the community and are thankful for every pledge we get but we want to create the game the way we envisioned and designed it. We would also like to concentrate all our available time to development, so if you want to support us in hope to get a great game please do so.
- You watch Long Plays to experience a game without playing it
- You watch Let’s Plays to be entertained
- You watch video reviews to be spoiled
Thesis: None of these three things are particularly conducive to actually selling a product.
The Samaritan Paradox, a relatively new commercial AGS adventure game by Faravid Interactive’s Peter Ljunkvist, published by Screen 7, is a story about a story. A refreshingly Swedish one, too. The game’s protagonist, Ord Salomon – ‘ord’ is Swedish for ‘word’ – is a shut-in PhD student of literature, rotting away at a failing thesis, with worried friends, until he chances upon the daughter of a prominent dead Swedish author.
Salomon, a hobbyist cryptographer obsessive-compulsive about signs, instantly begins to solve the apparent secrets contained within the dead author’s final work, “The Last Secret,” which also functions as the key to the writer’s complicated relationship with his daughter and family. And to a large inheritance that could also help Ord repair his finances.
As is obvious from the get-go, The Samaritan Paradox has all the makings of a splendid detective game; it has a beautiful look and feel, with expertly crafted (especially animated) pixel graphics, and a highly under-used locale in the cold reaches of the Nordic to boot. A philological adventure – who would have wagered? (more…)
Over the Top Games’ new roguelike-lite, Full Mojo Rampage, is quite the voodoo soup, one that has been slowly bubbling away in Steam’s dangerous “Early Access” section since late 2013. The game, having finally reached its boiling point in May 2014, is now out, and we are about to find out just how tasty this crazy concoction is.
In the game, players are cute, big-headed voodoo apprentices, performing tasks for their chosen voodoo gods, Loas, by fighting against hordes of things that go bump in the night. The game is what you’d call a ‘twin-stick’ shooter on the consoles. Here on The Slowdown, of course, we don’t have to use dirty words like that, as the game plays perfectly well on a mouse and a keyboard, too.
From the get-go, it’s clear that the game’s gotta lotta mojo to it. As soon as the outrageous, monochrome cartoon intro starts playing, and the background music strikes the ear as both catchy and personable, players are no doubt being served with a helping that is both charming and funny. In-game, then, Full Mojo Rampage is simple and approachable on the one hand, and challenging and varied on the other. (more…)
This, I already knew, were a Critic’s Kinda Game – one that would absolutely speak both to my ludological and narratological interests… only, the increasingly massive amount of criticism (reviews, articles, critiques, and commentaries) had begun to pile and fill up my Pocket feed, my RSS subs, and my Twitter timeline; first, to the point of my hesitation, then, to mild discomfort, and finally to a kind of destitution.
I really did feel, for a moment, ashamed of not having tackled the popular game on this website. We seemed like such a good match.
I guess you could say that I think we both owe it to each other.
Minor spoilers below.